I met Jessica on the express platform at 34th Street earlier this month.
She shared this gorgeous peacock feather tattooed on the upper right section of her back:
The piece is an homage to her mother, who loves everything peacock, and has countless items, like bracelets and other jewelery, that emulate the vivid colors of these beautiful birds.
She credits this tattoo to an artist known only as Allison.
Thanks to Jessica for sharing this wonderful tattoo with us here on Tattoosday!
On this final day of the Tattooed Poets Project 2010, we have a double treat - the tattoos and poetry of both Jeanann Verlee (here) and her friend Eboni Hogan.
What follows is a tat-alogue of Eboni's body art.
She prefaces her work with the following proclamation:
"A Note About The Artist: A majority of the work (the shoulder piece, the peacock and the cherry blossoms) on my body were done by an amazingly talented artist named Craig Spencer out of Whatever Tattoo II on St. Mark's Place who was also my boyfriend of almost four years until fairly recently. Yay! It's a sado-masochistic love story! Some liken this to getting a man's name tattooed across my boobs but I can say he is truly one of the only artists I trust with my flesh."
And now the ink:
"This shoulder piece is a custom design that took the most amount of tweaking before I actually got it inked. There are three quill pens, a skeleton key and a key hole, all tied together with ribbons. I'd had a strange dream one night in which a creepy old woman handed me a set of keys, tied to three feathers and told me that if I could find the door, the key would let me out...
...In my dream, I draped the key over my shoulder for safe keeping (dream logic...) but when I finally reached the promised door, the key and the feathers were adhered to my skin. The image stuck when I woke up and I talked to the artist about designing a similar piece. He suggested that the feathers be quill pens to pay homage to my love of poetry."
Next we have an image linked inexorably to the history of tattoos in the West, with its background in naval history. It was inked by an unidentified artist at Capitol City Tattoo in Madison, Wisconsin:
"I adore old school tattoos of the Sailor Jerry variety. I am also really active in the poetry slam community and every team I have ever been coined "the anchor"- the poet put up towards the end of a slam to (fingers crossed) make a home run. At the 2008 National Poetry Slam in Wisconsin, I decided it would be suitable to get this piece on my ribs."
Next up we have some cherry blossoms on the back of Eboni's right biceps:
"Blossom on the tree you know how I feel. Text by unknown artist, Addiction Ink, St. Mark's Place, cherry blossoms by Craig Spencer. If my life were a television series, Nina Simone's song "Feeling Good" would be the theme song. On my worst days, this is the never-fail anthem. The particular phrase that I decided on just happens to be the line in the song that feels infinitely more magical when sung at the tops of one's lungs. Try it."
And last, but not least, this lovely peacock:
"Peacocks are symbols of renewal and are revered by multiple cultures across the world. Furthermore, let's face it- they got a whole lotta swag. I found a vintage painting of a peacock that I loved though it's not the traditional green and blue image people are used to seeing. I got it on my left hip so that it could also serve as a cover-up for a pretty awful tattoo I got when I was 17 and foolish."
Thanks to Eboni for sending along so many tattoos for us here at Tattoosday. Be sure to head over to BillyBlog to read one of her poems, dedicated to poet Jeanann Verlee, here. Jeannann's tattoo (here) precedes this post, and her poem is dedicated to Eboni.
24 year-old poet, actress and Bronx native, Eboni Hogan, has performed in over 30 U.S. cities and facilitated workshops from refugee camps to prestigious universities. She studied theater at New York University's Tisch School of the Arts. She is the winner of the 2010 Women of the World Slam Poetry Slam, the 2008 Urbana Grand Slam Champion and a two time representative of the Nuyorican Slam Team. She is published in the anthologies His Rib and Double Lives and recently released her first collection of poetry entitled Grits through Penmanship Books.
Last Wednesday marked the official end to the veritable tattoo drought this winter in New York has afforded us here on Tattoosday.
In addition to the three people I met at lunch, my train ride home and, subsequently, my day, was punctuated by a fleeting encounter with a woman named Stevie on the R train.
I had just plopped down in one of the seats after having moved car-to-car between stops, in an effort to get toward the back of the train. I mention this to illustrate how fortunate I was to be where I was, when Stevie boarded the train.
She got on at one stop and, by the time she had exited two stations later, I had had just enough time to take a picture of the wonderful tattoo on the back of her right calf, and pass her the blog info so she could contact me with more details.
Stevie has seven tattoos and this one came from the incomparable New York Adorned at the talented hands of Virginia Elwood. Stevie worked over several sessions with Virginia, ironing out the details of the piece, which was completed in one sitting.
There are three elements to the tattoo: the lotus, the hamsa, and the peacock feathers.
Via e-mail, Stevie explained:
I moved out here from the West Coast to teach in inner-city schools. When I first started teaching and things would get nerve-wracking I'd tap on this hamsa hand necklace I always wore. For whatever reason it calmed me down and reminded me that I was here to infuse some change and to do some awesome work. When I became an NYC Public School teacher I decided I'd like it on me permanently. The hamsa hand is a symbol of faith and clarity and that's what I think I found in myself, like my calling. The lotus flower goes along with this idea of rising to the surface and blossoming while the peacock feathers were an aesthetic touch.
Work from New York Adorned has appeared previously on the site here.
Thanks so much to Stevie for sharing her amazing work with us here on Tattoosday!
"Blossom on the tree you know how I feel. Text by unknown artist, Addiction Ink, St. Mark's Place, cherry blossoms by Craig Spencer. If my life were a television series, Nina Simone's song "Feeling Good" would be the theme song. On my worst days, this is the never-fail anthem. The particular phrase that I decided on just happens to be the line in the song that feels infinitely more magical when sung at the tops of one's lungs. Try it."
